When I think of important dates in my life, birth, graduation, and so forth, and then count back 16 years, the distance feels like another era. Things that happened even a year or two before I was born are firmly entombed in my mind's history. But 9/11, in many ways, still seems like yesterday. What helps fill the gaping chasm in my soul is to look at this installation at the 9/11 Museum:
"Trying to Remember the Color of the Sky on That September Morning" by Spencer Finch
Somewhat reluctantly, I visited the museum two years ago at the invitation of a visiting friend who wanted her children to experience it. I'd done my best to avoid even having to go to that part of the city. Although I had to skip the graphic exhibits that were too close to my nightmares, others—photos of first responders, salvaged steel posts covered with marker scrawls of love and hope—were good to see, and reminded me that we humans can be great at times. The tour guide was calm and respectful, as if we were at a memorial service.
And then we reached this artwork, in front of a wall behind which unidentified remains still sleep. I thought of earlier that morning, when I went running in the park and marveled at the impossible color of the sky. Keeping that blue in my mind's eye, to retrieve when blackness was all I could imagine, filled me with strength and hope throughout the day and unreal weeks and followed. It still does.
And then we reached this artwork, in front of a wall behind which unidentified remains still sleep. I thought of earlier that morning, when I went running in the park and marveled at the impossible color of the sky. Keeping that blue in my mind's eye, to retrieve when blackness was all I could imagine, filled me with strength and hope throughout the day and unreal weeks and followed. It still does.
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